It’s no secret – I believe the single best way to keep students’ attention, deliver comprehensible input, frame new content, and interact with vocabulary is storytelling.
You may not think you are a natural storyteller, but you are. Everyone is. Telling stories is a part of life. You tell your spouse the crazy things your child said in the car after school today. You tell your best friend the plot of the movie you saw last week. You tell your colleague about something that happened to you when you were a child.
That said, it does take some practice to simply make up stories that frame your content and keep your students’ attention, but I promise it’s worth it. When you see the magic that storytelling injects into your classroom, you’ll never let go of it. Here’s what I think are the seven keys to a great story.
- Goals
Stories aren’t just for fun. The purpose is to deliver content and get your students interacting with it. How can the story be aligned with your current theme? How can you use your target vocabulary? How can you get students to notice the definite article changes, or plurals, or demonstratives, or whatever? - Student involvement
Make sure every story involves your students in a very positive light. So someone’s having a party and Brad Pitt is there but so is Chuck and which one is more handsome? Chuck, of course. All the girls want to dance with Chuck. And everyone’s dancing because Julia’s playing guitar and everyone knows she plays guitar better than Santana. And so on. - Questions
I believe carefully designed questioning is the single greatest characteristic of an effective teacher in any discipline, but it’s of paramount importance in the world language classroom. Ask and keep asking, and use your questions to let students design parts of the story that aren’t necessary to your target features. Who’s at the party? Who’s with Chuck? What are they eating? How much are they eating? Who threw it all up? - Strange characters
Last year I thought I was leaving my school and I was throwing away a lot of visuals and other things I hadn’t used in a long time. One of the things I put in the trash was a posterboard visual of a penguin. One of my former students, a college student who works in after-school care now, rescued the penguin from the trash, took a picture of it, tweeted at other former students, and before I knew it I was being reprimanded on social media for throwing away such a precious piece of Spanish class nostalgia. These college students remember (and care) that once upon a time a Martian penguin named Jeffrey was a regular character in their Spanish class stories. (Yes, this is the penguin in the Musicuentos logo.)
It doesn’t matter what the character is – let your student pick it. But a turtle who can play tennis or a Transformer with a personal vendetta against Walmart can go a long way to creating long-term memory. - Simplicity
You know your students aren’t ready for the level of complexity that exists even in a child’s picture book. Water down the language until you absolutely know it’s comprehensible. Challenging, but comprehensible. - Repetition
Research shows that people need to hear vocabulary in context dozens of times in order for it to become part of their active vocabulary. Imagine the repetitions required to acquire the ability to manipulate verbs and the like.
Think about children’s stories – I know an old lady who swallowed a fly. Old MacDonald had a farm. I love you this much, said the nut brown hare. Where is baby’s belly button? Good night, moon. On Monday, the caterpillar ate through one red apple. So repetitive. Even when the content is different, the sentence structure is the same. The questions are often formed the same way. Why? Because that’s how children acquire language. Through repetitious play with language.
It’s fairly easy to design stories with effective repetition by thinking of a question that leads to your learning target. Working with verbs? Think about subject, verb, location. Who dances on the couch? Who dances by the pool? Who dances in the kitchen? Who eats in the bathroom? Who eats with the dogs? - An unexpected ending
I let my students choose a lot of the story, but I rarely let them choose the end, especially at the beginning of the year when they’re not used to how outrageous I want them to be in choosing story elements. Think about it – right at the end, when you’ve worked through your content and storyline, and you’re about to lose their attention, wham, Chuck is abducted from the party by fire-breathing aliens. Julia plays the guitar so fast it bursts into flames. As it turns out, the whole story was just a dream Sam the somnolent student had last period dozing in math class. Recapture attention and create more memory by creating a memorable ending.
Happy storytelling!
Foto: Imagen en acción
Great post on storytelling!
Thank you – I do love storytelling!
[…] a story or find an authentic source (or both) that uses your target feature. I might plan to tell a story soon that involves two characters comparing their features, or a character who is making a profile […]
[…] a story or find an authentic source (or both) that uses your target feature. I might plan to tell a story soon that involves two characters comparing their features, or a character who is making a profile […]
I am a first-year Spanish teacher at a Christian school, I teach middle school and high school Spanish…and I have stopped using the textbook. Your blog has truly transformed the way I teach, thank you so much. I would love to do more story-telling in my classes.
What are your logistics to telling stories in the classroom?
Do you draw both pictures and dialogue on the chalkboard if you use one?
Thank you so much. Again, you and your blog have been a true blessing to me this year.
Hi David, thanks for the questions, and I am so glad you’ve found Musicuentos helpful on your journey to make your classroom more communicative.
Let’s see if I can quickly answer what you mean by “logistics.”
-I think up and sketch out the outline of my story insofar as it incorporates the targets I want. The rest will come from students.
-Students know that they have to draw/write anything I draw/write. They know a quiz will come soon and they know they’ll be able to use their story pictures.
-I write the target words first and we may do some activity to establish their meaning; usually not, usually the story will do that.
-I begin to tell the story. Usually the only words I write are targets, but I do often write dialogue in speech bubbles, but only because it often includes something I’m targeting.
-I change the color of the marker to highlight features. If I am highlighting the they ending in sudden past, I’ll change colors for aron, ieron to help students extract the pattern.
Does that help?
Yes, that does help, thank you so much!
I incorporated stories for the first time today in two different classes and they both seemed to go well. However, I did realize now that I need to prep more and sketch out the storyline better in advance for a smoother story.
You mentioned how the students write down everything on the board, including pictures, in order to prep for quizzes that are coming soon. How often do you tend to give quizzes and how do you let the students incorporate their “story pictures?”
I typically give a quiz 2-3 days after the story (while we are working on related activities) and students may use anything I have given them – their story notes, their vocabulary, etc. It keeps them taking notes during the story and gets me more repetitions on key items.
[…] Bex, but questioning is mentioned multiple times over at Musicuentos too! (two of many sources here and here) And instead, I ignored […]
[…] may also want to check out my post on 7 Keys to a Great Story, or my general storytelling […]